ryota

It is music that combines noise, hiphop, modular synth, and ambient sound. Also, I have integrated the words spoken in William Seward Burroughs' interview into the beat. This piece was performed using a modular synthesizer. And, I perceive music as a work of art. I look forward to the day I can meet someone with the same values.

0x5c5a7f21ce72b3946e48db693790ae0a84c443cc9dc11e5ac19606fec0ea923f

Glitch Hop - Cut William-s AmbientaIzm

Electronic audio visual artist / Modular synth / Processing /  
 🎧⚡️My sound art ⚡️🎧 http://linktr.ee/8bit303 
#audiovisual #glitch #hiphop #ambient #modular

at Work

cumulus frisbee

01110100 01101000 01100101 00100000 01110000 01101111 01110111 01100101 01110010 01101000 01101111 01110101 01110011 01100101 00100000 01101111 01100110 00100000 01110100 01101000 01100101 00100000 01100011 01100101 01101100 01101100

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mitochondria

bloody white

my ex girlfriend and i were sitting by a fire.  we had been through so much together.  we had spent a couple years making beautiful memories, getting to know every detail of each other, fighting and breaking each others hearts.  we always had so much to say.  this time it was quiet.  i was pulling leaves from the branches of the tree beside us and throwing them into the fire.  she was grabbing the small rocks surrounding us and casting them in.  after years of going back and forth, i think we both knew our time was finally up.  there was a bittersweet feeling filling the atmosphere around us.  

soon after, she sent me a poem she had written titled ‘throwing leaves, casting stones’.  it was beautiful, as her writing often was.  

a year went by and i reflected on that moment in time, and all that had happened since.  writing and releasing songs was my way of keeping in touch.  this was my last message to her.


owner recieves:
-access to private demo playlist
-.wav file
-.jpeg artwork

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throwing leaves, casting stones

experiencing caffeine shock with my brother daniel allan

owner receives:
- ableton project file
- custom 'bloody' face mask
- handwritten letter
- direct contact (phone #)

Note: This song is free and open source

0xacd5b2a4d3f6822845fae1c91581ccab0c9203af5958ee75c1e6fda6bd8e7023

coffee sweats (with daniel allan)

I made this song around the beginning of the pandemic back in 2020. Looking back, it was kind of an encapsulation of the joy of staying inside the house making music alot more, mixed with the sobering reality that everywhere you go is now potentially dangerous. I remember being so paranoid around this time, as I'm sure lots of us were. And at the same time I loved having the opportunity to entertain my introverted nature and just stay in Ableton all day. It's definitely bizzare to feel these sorts of feelings all at the same time, but life has a way of making unlikely and sometimes dichotomous events/emotions/ideas overlap. Sometimes these events feel more like a collage rather than a planned painting that's been sketched out and meticulously prepared. But even in that dichotomy there is room for both approaches to overlap. Things happen randomly, but we're capable of building structure atop that undulating topography. We're all navigating terrain that is constantly morphing, but that's kinda what makes it fun.

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orca

Wylie Cable

"When Wylie Cable isn’t busy running independent LA record imprint @domeofdoom, the venerated producer can be found buried under headphones tinkering away at his own extensive, unabashedly experimental catalog.  Akin to the electronic avant-gardism one would expect from the likes of Aphex Twin or Daedelus, Cable’s “The Lure of Personal Success,” is a colorful, deeply textured patchwork of sonics that densely incapsulates a wide range of futuristic sounds. Matched with similarly gripping abstract collage work from Dewey Saunders, whose visuals have previously accompanied work by Anderson .Paak, Future, and Griz, Cable’s "Shimmer, Then Disappear" LP looks to be the producer’s reflective output in response to the monumental shifts the world has experienced, and ultimately, where we may be headed from here." - Dancing Astronaut

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Shimmer, Then Disappear

The Lure of Personal Success

groundislava

My first single - the song that started my journey as Groundislava back in 2011! 
So much love to everyone who has listened to my music the past decade <3.

Winner of initial auction to receive signed copy of my GROUNDISLAVA debut LP from 2011. Hit me up at groundislava@gmail.com.

0x4e451c56795555b474cbcab96f115d1d211bce2f725f9a12195cfd94dc839c91

Book of Tech EP

Creeper Shit

Dutchyyy

"If you love something, let it go. If it returns, it's yours; if it doesn't, it wasn't. If you love someone, set them free. If they come back they're yours; if they don't they never were." 

Backstory:
Created early 2010, Obviously I was head over heals in love at the time.  We dated long distance 2009 - 2011,  moved to Los Angeles together and dated on and off until 2014.  Long story short,  I've been single ever since haha.  However, I have a deep and meaningful monogamous relationship with music so i'm pretty content =)

Released on my 2010 album "Yawn of the Gemini" 

https://dutchmassive.bandcamp.com/album/yawn-of-the-gemini-2005-2010

*****Whoever ends up collecting this will receive a link to my master cloud based vault "Dutchyyy vs the Algorithms" over 110gb's of nearly my full released and unreleased discography.  *****

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Yawn of the Gemini

The Release (Breathe Easy)

The single from Endless Voyage, my fourth LP. One of my favorite songs I've ever made! I hope it brings you joy.

0x61ca1dfa7161a45e8a058008c32a3a26061e55dd145ad72998ec29c5dca8024a

Endless Voyage

Dark Planet

Wylie Cable - Warmed By The Sun
Dome of Doom
September 23, 2022
Cassette/Digital

Los Angeles based electronic artist and songwriter Wylie Cable presents his ninth full-length album, Warmed By The Sun. Scheduled for digital and limited edition cassette release on Dome of Doom on September 23, 2022, the 21-track and 51-minute mixtape presents one of the widest arrays in their catalog. From riveting beat mantras soaked in the hazy aftermath of LA nightlife, to the bespoke fertile grounds of unique lyricism and folklore, Warmed By The Sun travels across multitudes of sounds with constant environmental change, bridged by the unmistakable presence of Cable as an artist. The music itself has a full circle feeling, running back a decade or more through the artist's personal history to Cable’s formative days activating the Dome of Doom label and the art scenes of both Los Angeles and San Francisco that surrounded its inception. Features include virtuosic drummer and LA resident Gene Coye, Norwich U.K. based electronic producer CLYDE, and Mexico City's resident lyrical assassin, Speak.

The conceptual energy behind the creation of the music and its inherent interconnectedness rests on the influence upon Cable's own creative spirit by Russian-American novelist Vladimir Nobokov. Cable was directly inspired by Nobokov’s later writings when the novelist and poet was residing in Montreux Palace Hotel on the shores of Lake Geneva, going for hikes in the alps, collecting butterflies, and writing. With this album, Wylie attempts to capture that feeling of creative freedom and bliss, a sonic journal, a collection of thoughts, feelings and experiences that the artist savored and with each song tries to provide a small glimpse into the life of its creator.

0x333f00be42af9518e385cedb65c5d265febcd0db56f597489287bbc6271488e5

Warmed By The Sun

Big Brane Debroka Flip

"The Mountain"
Produced by: Dutchyyy 
Album: "The Uproot" 
Track: 16
Year Created: 2015
Song Released:  March 6, 2015  (soundcloud only)
https://dutchmassive.bandcamp.com/album/the-uproot
https://beta.catalog.works/dutchyyy/-the-uproot-side-a-demo-version-
https://beta.catalog.works/dutchyyy/-the-uproot-side-b-demo-version-

Backstory:

After losing my mind living in Los Angeles (2012-2014) then having my spirit crushed moving back to Tampa Bay in record time,  I ended up Traversing to New York summer of 2014.    For more context & to avoid redundancy I've attached an Article on what followed that move to catch up and fill in the blanks surrounding this songs backstory.

https://medium.com/@SolarSounds/shawangunk-stomp-the-story-of-dutchyyys-uproot-4235a4eb66ff

Caught up?  Let's continue....

In February of 2015,  My Pop's (Ziggy) who was the caretaker and lived on the property of Sam's Point Preserve for nearly a decade was blind sighted after receiving a call that the private nature preserve was purchased by the state and they would be replacing him as caretaker with a park ranger (my pops was chef, who by fate was originally offered this lifechanging position and opportunity at his fathers funeral (My Pop Pop) My pop always said he felt like that was his fathers final gift to him, so to hear news that he was losing his home and job was devastating.  To add to the stress,  This was place my father and I reconnected and closely bonded after nearly 15 years of bad blood and no communication.  We were both so happy and at peace on that mountain.  My family has always been poor,  my father worked hard his entire life, after nearly being killed working as prison guard before I was born,  he shifted to his passion of being a cook.   He worked multiple chef jobs and owned a hot dog stand when we lived in New Jersey.   I ended up moving to Tampa when I was 5 years old with my grandparents,  My Mother and younger Brother moved down a year later, and Father moved down a year after that.  He never liked Florida, and being far from his family but he worked every single day, never taking a sick day,  He opened a NY pizza shop in Tampa "Ziggy's Pizzeria" which closed down after his business partner robbed him and fled the country.  After that he worked endlessly as a cook at a sports pub in Town n Country.   He worked hard his entire life, just didn't work smart.  When I was 14 years old my parents divorced and pops moved back to NY.  As A teenager, I didn't understand the context... all I knew was he abandoned my mother, brother and me, which my mother was not ready for which resulted in me having to grow up fast and take on the parent roll.  So I resented my pops for nearly my entire teenage and adult life span.  

After reuniting on the mountain,  I learned the context behind their getting divorced and him moving back to NY and realized I wasted my whole life being angry at him for something beyond his control.  He always felt shame and guilt he was never in a position to help his children out in life financially after our child support ended. 

So now here we are,  reconnected, deeply bonded with mutual respect and that shame and guilt melted away as he saw me flourish creative and spiritually being on that mountain with him.   So finding out he was being displaced and Uprooted with almost no notice,  all he could think about was me, but NY is expensive AF.  Especially the area we lived, which he could not leave because his mother (my grandmother) lived close by with dementia and he had to be close to take care of her.   We searched far and wide and nothing was even close to realistic or affordable and we had to be out of there in 30 days.  I absolutely didn't want to move back to Tampa or Los Angeles so I offered to split rent but we just couldn't find anything in time except a small guess house attached to a friend of a friends house that we could only move to temporally.       

On March 16th 2015 the caretaker house was fully empty and we were about to drive off when he asked if I wanted to walk through one last time to say goodbye.   

I asked him if he would give me 1 hour in the house alone to say goodbye in a way that would help me process this abrupt change the only way I know how.   Making Music.....

I unpacked my Laptop and my portable JBL speaker and walked up the 3rd story Attic I had been living in and creating in the past year.  I loaded up one of my fathers favorite songs and set the timer...   One Hour. 

After I expressed,  I walked out to the jeep in tears and said "we don't even have internet so I can't properly stamp this moment in time"     He reminded me that there was internet in the welcome center and he had to leave the keys in there anyway so I could use the internet to do what I needed to do.  

A few minutes later,  I documented my farewell on SoundCloud.

https://soundcloud.com/dutchmassive/the-mountain-dutchy

and thus, "The Mountain" was born.

We didn't have much time we were able to live in the guest house we moved to and saw the stress my pops was under trying to find a place for us both where I would be able to make music and I made the tough decision of moving back to Tampa with the plan to move back to NY when I could afford to do so.       

This return to Tampa was soul crushing, but lead to the re-birth of my DailyRambles (The Reluctant Clap) series...    I ended up working a contract at a hospital in NY in spring of 2016 and ended up visiting my Pops in new place (A basement he was renting for very cheap in an amazing house less than two miles away from where we used to live) He was very happy and he wouldn't have gotten that place If he had me to worry about also so it made my choice to leave feel like it was destined, which helped.  I was only supposed to visit a few days after my contracted ended but ended up staying for a month, working on  the cassette version of the album I had just released digitally "Traversal" Shortly after returning back to Tampa, I was offered a place to live in Los Angles, so once again I was a rolling stone.     

I miss that mountain so much,  I often think of what life would be like if we didn't have to move,  I had access to free healthcare,  I was super happy but would I trade all of turmoil, discomfort and pain that Lead to everything I've created musically since if I could turn back time and stop the state from acquiring the nature preserve?...        Not a chance.......       because I know transmuting my experiences good or bad into art ripples out and helps others navigate through life.

Thank you listening and taking the time to read. 

If you are interested in digesting further context and world building surrounding my life and artistic career.  I'll be documenting photo's, videos, artifacts more consistently here:

https://foundation.app/@PeacePeaceGawd

Love, Light & all that Jazz.

- Dutch

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The Uproot

The Mountain

Hark Madley

From Hark Madley's 2023 EP "Joy." Created with vocal samples, drums, piano, synths, curiosity and whimsy.

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Joy 1

`Featured in the Apple Vision Pro product film, premiered during WWDC 2023. This is the 5th track off Hark Madley's LP "The Future Is The Question!"`

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The Future Is The Question!

A.I.

devonwho

first track of "Amalgama I" ep self-released 7/26/23 on bandcamp only.

this genre should be called "ableton-complex-warp-core"

album art by Low Limit

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Amalgama I

byte bounce

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mechabop

Javier Santiago

"River Song" 
Composed by Javier Santiago
Lyrics by J. Hoard

"From my debut album 'Phoenix' (2018, Ropeadope). This was the first single from the record. Composed in the first year of my move to New York City in 2009, then finally recorded in 2016 at Fantasy Studios in California. J. Hoard wrote the lyrics after it was recorded and overdubbed the vocals.'

Recorded at Fantasy Studios (Berkeley, CA 2016)
J. Hoard - vocals
Corey Fonville - drums
Ben Flocks - tenor and soprano saxophones
Javier Santiago - Fender Rhodes, synths, trumpet and background vox

Lyrics:

River now
You must flow
Out to the sea while
Filling up the creeks
Knowing the current causes each
New wave
Crashing back into love again

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Phoenix

River Song (feat. J. Hoard)

"FEEDBRA!NER" 

Produced by: Dutchyyy
Album: Blue Screen of Deaf
Track #: 8
Created: 2009
Released: September 10, 2012 

https://dutchmassive.bandcamp.com/album/blue-screen-of-deaf-2011-2012


Backstory:

Late 2009, I was chilling at my friend Brian's townhouse in Tampa, FL (prior to me moving in),  and we were watching videos of Low End Theory sets at The Airliner in Los Angeles and random beat sets in general from like 2006 - late 2009.  There were no "Beat sets" happening in Tampa at the time, so our only window to see instrumentals being rocked in front of a crowd was online.  We were romanticizing about how dope it must be to live in a city that appreciates instrumentals in a live setting, and at one point in the conversation we had one of those "Jinx!" moments, where we both mentioned the same observation at the same time.   I can't remember the exact wording used,  but we both basically picked up on how heavy and often most people playing live sets would trigger the SP404 (& Other Samplers) Beat Repeat or glitch FX....    If only we would have known, people would be overdosing on & overusing triggering those FX to fill time during live sets for the next two decades all over the globe haha.      

I had my Laptop with me, and was using FL Studio at the time, so I downloaded the Plug in "Glitch 1.3" and started to make a beat trolling....    and thus "FEEDBRA!NER" was born.   

Bonus Fun Fact:

The first person that I personally remember, besides Prefuse 73 back in 2001 to use this glitch/stutter effect in beats was Sweatson Klank (fka Take) back in 2005/2006,  So when he hit me up to submit a Remix for his upcoming album "Only Mountain".  I pulled out that "Glitch" Plug-in one more time to pay tribute...       I remember vividly him saying,  I love how you flipped my track, but I don't like all the Stutter/Glitch FX in it because even back then,  he said it became way too overused in the scene.  He asked if I could Submit it without all the FX,  but back then, in fact the entire lifespan of me using FL Studio (2005-2012) , I didn't know there was an arrangement view.   So how I sequenced out my beats back then, was I would individually export each 4/8 bar loop, and sequence my beats by cutting and pasting them in the intended order via Sony Sound Forge.  Then I wouldn't save the original FL Studio Sessions,  So I couldn't re-send him a version without the FX, cus the session was already deleted haha.

That track also exists on "Blue Screen Of Deaf" as well as in the Forever Library. =)

https://beta.catalog.works/dutchyyy/-insane-go-all-don-t-we-if-w-sweatson-klank

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Blue Screen Of Deaf

FEEDBRA!NER

"I should have saved this hours ago" (Evolving Portals) 🌌🧎‍♂️

Back Story:

This session started on 1-6-2019 during my 1st 10 hour live stream on twitch, where my chat provided the sample for me to flip.

Probably one of my favorite beats of all time and I still haven't exported a final or normal version of it, because I made way too many change ups and have revisited and evolved/devolved the session countless times since then. (see album cover)

The last saved version in ableton was 8.6.21

but this specific version was created at the end of January 2022 as I revisited the project file one last time and Evolved a new Portal in real time on i.g. live.  

So this audio only exists because I was capturing the audio via Re-sample on the SP-404,  and I didn't even start recording from the beginning.   I do believe I have the full session in Video form tho.  If I can find it, It will to documented in the "Evolving Portals" collection below:

🔗https://zora.co/collect/eth:0xed4943fa35675d84903aa1a414c0836d2aa5c13b

The 2 minute and 18 second (Highly edited video snippet version) will also exist in that collection.  If you don't have patience for super long form music,  you can reference that version to hear all the change ups condensed in more consumer friendly digestible runtime =)
 
One Day I will export the final version. Until then, Enjoy some Portals that evolved while getting sidetracked from finalizing beats like I always do.

🔗https://dutchmassive.bandcamp.com/album/i-should-have-saved-this-hours-ago-evolving-portals

______________________


The birth of Evolving Portals: Detailed Backstory via ASMR.WAV 

🔗https://beta.catalog.works/dutchyyy/asmr-wav-evolving-portals-

______________________

Bonus:
Remember that 10 livestream on twitch I referenced where this Portal and this series really found its birth?

I have that video file, but it is huge.  Too large to upload to any platform as of now.

Whoever ends up collecting this. Please reach out to me and I will send you the huge video file and you can see how this all really began in (documented) real time.

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