KILROY

March 2021 - One year inside. Nostalgic for better times, preparing for what’s next. Almost cut the strings at the last minute - that would’ve been stupid. We’ll dance again next week, promise.
Music by KILROY
A HLDY MKR Production

NFT Owner will receive:
Original .wav & mp3 files
Early access to my debut project, HOUSE FUNK, in its entirety
Bonus album artwork, exclusive to the owner of the NFT

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HOUSE FUNK

ROSE

May 2021 - "Stop overthinking, just have fun with it".

Music by KILROY
Additional guitars by Jefferson Kahan
A HLDY MKR Production

NFT Owner will receive:
Original .wav & mp3 files
Early access to my debut project, HOUSE FUNK, in its entirety
Bonus album artwork airdropped as an NFT

0x5e16f397f7c9158790444f5be9508d4ca2b2a7f0157e3467f2233f75b609087f

BLIND ROYALTY

August 2021  - Sometimes you need to be taken back to where it all started. Not a sad song, just the music I hear in my head when the party's over. There's something beautiful about a fleeting moment slipping through your fingers

Music by KILROY
A HLDY MKR Production

NFT Owner will receive:
Original .wav & mp3 files
.wav & mp3 files for the bonus track, REPRIS PART II (Reprise) 
Early access to my debut project, HOUSE FUNK, in its entirety
Bonus album artwork, exclusive to the owner of the NFT


All funds raised from the sale of REPRIS will be reinvested into other emerging artists' web3 projects.

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REPRIS

June 2021  - The one that put the funk in HOUSE FUNK. Part groove, part jam, but a full vibe.

Music by KILROY
Additional guitars from Jefferson Kahan
A HLDY MKR Production

NFT Owner will receive:
Original .wav & mp3 files
Early access to my debut project, HOUSE FUNK, in its entirety
Bonus album artwork, exclusive to the owner of the NFT

All funds raised from the sale of THE WATER will be reinvested into other emerging artists' web3 projects.

0xed1bf55074360f125c42e539e4640bb2daadc2de987e87b6eb5897b19bc2c66c

THE WATER

May 2021  - Blasting music on a beach for a friend's birthday, I realized I wouldn’t be able to put one of my own songs on without completely changing the vibe and bringing the BPM down. BREATHLESS is the result of me opening my laptop for the first time after that day, and was the catalyst for what later became HOUSE FUNK.

Music by KILROY
A HLDY MKR Production

NFT Owner will receive:
Original .wav & mp3 files
Early access to my debut project, HOUSE FUNK, in its entirety
Bonus album artwork, exclusive to the owner of the NFT

All funds raised from the sale of BREATHLESS will be reinvested into other emerging artists' web3 projects.

0x589db4b5f4abf311294c04d081c88a062bc1da35ad97e3406e46860793f2e340

BREATHLESS

HOUSE FUNK is a web3 EP reinvesting 100% of sales back into the music NFT community
HLDY MKR

Highlighting my favorite freshly minted tracks that are still available for purchase

KILROY'S WATCHLIST

EVEHIVE

Exploring industrial timbres and samples from one of the aspects of Funk Carioca, Beat Bolha (Beat Bubble), EVEHIVE brings yet another very contagious instrumental house music.

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CUBO

Drea Rose

Written by Drea Rose & Jesse Barrera 
Produced by Jesse Barrera
Mastered by Sunroom Audio

0x23ccbed4797aaa3163c73d17fcede2105ff6293de5fe99de96c76c446df7f666

Gone

DJ Planet Express

1/1

from the "Dirty Work" EP

produced / mixed / mastered by dj planet express

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Weak

Cesrv

CESRV continues his exploration at the intersection of Brazilian music and global electronic music. With Dom Dom, he blends classic funk vocals with the driven grooves of UK Bassline. This record is a powerful tool for any dance floor.

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Dom Dom

Sound of Fractures

Original song by Mark de Clive-Lowe
Remix Production by Sound of Fractures

This Remix felt like another full circle moment for me as Mark was one of the first people to offer me guidance in web3, and feedback on my first Mirror post. So, to find my way on to Catalog and my first vinyl through the Mashi Beats Remix Competition was yet another piece of the puzzle that was a perfect fit. 

It's rare that you get multiple songs to play with for a remix, so working on the Mashi Beats remix competition was exciting for me. Whenever I do a remix I always try a few ideas as I feel it's the only way to know which one is the right one, and it took me a while to find my feet. I was determined to find something that felt like me, but kept the essence of the original too… I think I tried 4 different songs! In the end, as is often the case, the first idea I started was the one that made me feel the most excited. There were so many musical parts to chop up and build from it was like working with a great sample pack. I always aim to approach remixes the same way I make music, and I started by building some atmospheres and loops that carry enough emotion to pull me into the flow state. In the end I have to be able to get lost in a remix for it to feel right.. and for me this could fit easily on one of my own releases as well as on one of Mark’s.

---

This remix was produced as part of the first Mashi Beats remix contest and selected to be minted through community voting. Primary collectors will also receive the ltd edition remixes color vinyl EP including this remix - estimated delivery late October 2022

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Mark de Clive-Lowe – Blue Hour (Sound of Fractures Remix)

Jamee Cornelia

ft Jazzy Tha Rapper 
prod Wino Willy + Saint Amethyst

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Art School Dropout

Direct Deposit

Devin Morrison

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Dream Lobby Vol. I

Groovin' Introspectively

LUCA LUSH

Penned post-breakup with love! Feels like New York City in the springtime, where I initially recorded the vocal takes. Was extremely broke and broken up but the process of writing this was therapeutic at the time and still is looking back.

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VELVET GIRLS

Josh Lippi & The Overtimers

Recorded in the living room in Sacramento, CA.

written, recorded & produced by Josh Lippi.
all instruments Josh Lippi.
additional recording by Dana Gumbiner at
Station to Station Studios in Sacramento, CA.
mixed and mastered by Dana Gumbiner.

art by Thomas Campbell

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The Sacramento EP

Everybody's Crazy

Jay Lewn

Ruins is my next single featuring Ric Wilson. London & Chicago link up. This is my first ever drop on the platform!

Backstory

Ric and I met in early-2021 when he came over to London for 2 months and ended up staying for 5. He sent me a message on IG saying he liked my music and that we should hang out and we ended up hanging out pretty much everyday for his entire trip. This is the first track we ever made when he came by my studio in West London; we also wrote loads for is album but this was one of my favourites so I was able to use it for my solo releases. Ruins was written mid-pandemic and we wanted to make a track that made people get up and celebrate even though the world is falling apart around them. Cos if we can't go crazy then what else can we do...

Beyond making music Ric and I basically spent 5 months partying cos there really is no better way to introduce someone to London. Supporting me by collecting Ruins will help set this record up for its release later this year and you'll be apart of a beautiful friendship that turned into a beautiful record. <3

*****
Anyone who collects this record will be get list +1 to any of my shows they want to (provided you can get there of course aha!)
*****

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Ruins

pearson

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Mariana

Still on Seen

Dutchyyy

.insane go all don't we If

Backstory: ACT I

"insane go all don't we If" (Dutchyyy Remix)  was created in 2010 on FL Studio in Tampa, FL.  

A Remix of "If We Don't All Go Insane" by Sweatson Klank (f/k/a Take) https://beta.catalog.works/sweatsonklank
Originally meant to be on his 2011 album "Only Mountain: The Remixes", which was A follow up to his 2010 sophomore full length album "Only Mountain" both which were released on Alpha Pup.

Due to the limitations of time / space available on physical releases and multiple producers submitting versions of the same song, The Dutchyyy remix along with remixes from Shlomo, Teebs, Free the Robots and a few others didn't make the final cut.

Backstory: ACT II

Fast Forward to Spring of 2012,  After months of planning and saying goodbye to friends and family in the place I called home (Tampa Bay) since I was a child.  I took the leap and decided to move to Los Angeles after taking what was supposed to be a 4-6 month long contract teaching at Cedars-Sinai Hospital.  Unfortunately, we taught them too well & too fast and the contract was cut short, only lasting a few weeks.  I was already committed to making Los Angeles my home but now I was limited on funds, and about to lose the hotel I was supposed to be at for months while searching for apartments, but As fate would have it,  I was about to get a life raft.  After jokingly posting on Facebook,  "I'm hungry, someone bring me some food".   Someone commented, "You're in Los Angles?  I'm a huge fan of your music and my family owns a restaurant".  It was my day off, so I commented. "Come Scoop" jokingly, not realizing he would want to follow through.   Long Story Short,  We became good friends and that night would change the course of my life.  Meeting multiple strangers who became best friends. When the contract ended.  My new friend (Anthony) allowed me to stay with him while I searched for a place to move into.   During this time, I taught him and a few of his friends (who are now my close friends) how to use FL Studio.  He was a huge fan of my music,  so I played him a bunch of unreleased music I never planned on releasing.  He lost his mind when I was adamant about never releasing the music I was playing him.   What he didn't know was a few months prior on Xmas night 2011,  My Laptop filled with my upcoming Dutchmassive album titled "Romanticizing" along with every beat I made from 2008-xmas 2011 was lost when hard drive got corrupted and dealt me the dreaded Blue Screen Of Death.  I didn't have any of it backed up on extra hard drives.  All that remained from 2008-2011 was the crappy first draft versions I burned to CD's for "The Car Test" and well,  I didn't take care of those either so they all had scratches and were sun damaged.  So the things I was playing him,  where unfinalized early versions of songs that I know became so much greater than the versions I was left with.  He wouldn't take no for an answer and eventually offered to pay my 1st month's rent and my security deposit if I swallowed my pride and uploaded the few early versions I salvaged to bandcamp. He didn't want any profits from it, he just wanted those songs to exist online and be heard by the public. I agreed and moved into my new apartment a few miles down the road from him.  Shortly after moving into my new place overlooking the port of Los Angeles,  My friend Angel (Kronika) introduced me to another producer who went by the name Ahwlee.  

Backstory: ACT III

Ahwlee & I vibed pretty quickly. He would come stay at my apartment and make entire EP's on Ableton Live in one night and not even save what he made. He deleted some of the best beats I've ever heard and he did this frequently. While I was taking all night on a single flips that I would maybe finish at a later date.
 

So one night A few days before my birthday, while he was knocking out an entire EP in Ableton Live,
https://bumps.bandcamp.com/album/dutchist

and I was stuck working on one single song in FL Studio.
https://dutchmassive.bandcamp.com/track/anglwngs

I thought to myself "How is able to knock out fully fleshed out albums during the same time it takes me to finish one song" Later that night,  I said "enough is enough, teach me Ableton please!"  So he taught me everything he knew and the next day we made the song "Medutayshun" with Ahwlee on the drums and synths and me chopping on Ableton for the 1st time.

"https://dutchmassive.bandcamp.com/track/medutayshun-f-ahwlee

This would be the beginning of a new chapter for me.  I was very proficient in Ableton and could never go back to the slow and limited work flow I had while working in FL Studio.  I wanted to make one final beat in Fruity loops and then close the book on my FL Studio Arc for good.  So I made one final song in FL Studio on my birthday May 23rd 2012. titled "Just Be Yourself"

https://beta.catalog.works/dutchyyy/-just-be-yourself-

A few months went by, and I was countless tracks in using Ableton.  I truly got distracted and got lost in a new extended burst of creative energy. Until one day, I believe it was rent day so September 1st if I'm remembering correctly, Anthony reminded me that I still owed him that album of unreleased tracks from my old hard drive that needed to be uploaded to Bandcamp.  

Most of the songs were too badly damaged by scratches in the CD or sunspots so I salvaged what I could, I added a few beats I made in FL studio after moving to Los Angeles. Then, on September 12th, 2012 I reluctantly uploaded the album "Blue Screen of Deaf".  

https://dutchmassive.bandcamp.com/album/blue-screen-of-deaf-2011-2012

Never touching FL Studio again, becoming an Ableton main and moving to the next chapter creating what would later become the 2 hour Cassette "Chill Gawd, Chill"

- Closing -

This backstory was pretty lengthy, and covered a lot of info that I would have preferred to reveal in future back stories for songs like "ANGLWNGS" or even "Medutayshun" (f/ Ahwlee) because the bulk of story revolves around those songs more than it does to "insane go all don't we If" but the reality is,  This song would have never been released to the public,  especially since it's an early, unfinished version of the song like 95% of "Blue Screen of Deaf" is.  So the elaborate backstory became necessary since I wanted to release this song in tandem with our 1st collab together from 2006 titled "Dream Suite" which is being released as my Genesis drop on my other artist profile (focused on my career as a Vocalist, Writer, Emcee : Dutchmassive

https://beta.catalog.works/dutchmassive


*****Whoever ends up collecting this will gain access  to my master cloud based vault "Dutchyyy vs the Algorithms" over 110gb's of nearly my full released and unreleased discography.  *****

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Blue Screen of Deaf

"insane go all don't we If" w/ Sweatson Klank

max fry

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Observatory

HOUSE FUNK is a web3 EP reinvesting 100% of sales back into the music NFT community

This is a space of all of the Catalog released off of HOUSE FUNK