COMPUTER DATA

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Blau

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a2. computer data - abendrot - palms026

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b3. computer data - electronisch - palms026

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CDTESTRAINBOWSIGNING

unreleased, 2018 

original recording



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still

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ampro

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strand04012023v3vocalmodv2

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good05112023v2

"mfunk" - demo

recorded jan. 2020 in san francisco, ca. 

armk2 + ms101 + digitone + dm12.





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mfunk (demo)

ambient composition
// recorded in my living room. 03.21


forthcoming on pure bread records.

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ambient composition // recorded 05.2021 


forthcoming on my pure bread records imprint.

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gelassenheit

test2222222

cumulus frisbee

“Fall into It” is the second single from “The Only Way Out is Through,” Cumulus Frisbee’s upcoming sophomore album. Combining elements of progressive jazz and math rock, lead guitars whisper and moan through the beginning and foreshadow the cathartic yet explosive song’s climax. The peak suggests feelings of completely peeling from one’s old self, with torn shreds lingering behind as you thrust towards something new and radiant. At the end, relief is soon met with more mystery and suggests none of us really know what the future holds, and that the only way forward is to embrace and explore the mystery. It is more important than what answers it yields.

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Fall Into It

Acutek

Morning Mist was an early track of mine and was the first time I received support from another DJ playing my music. Scuba picked up this track and played it in his SCB Radio Episode 85.

This was a special moment for me in my journey and now you can own a part of that. Receiving support from Scuba at this point was very motivating and a signal I was going down the right path. Deep and Hypnotic Techno vibes.

Thanks for listening and happy collecting.

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Morning Mist

Rome Fortune Exclusives

Happy 50th birthday to hip hop. Here's to 50 more. 

Ownership of this grants you a piece of hip hop history from two prolific & iconic artists. In addition to the stream, you receive a copy of the original recording session UPON REQUEST. 

[unreleased collaboration]

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Toro Y Moi & Rome Fortune - Breathe Out

Jon Waltz

from the vault (2018-ish) 

.36 reserve for three six mafia 

hell, maybe i'll ship you some of my fav bbq sauce from Memphis for the winner

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KARMA

1hrfmt

Ray Kandinski

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Liola

DJ Planet Express

1/1

featuring vocals by katie mcbride
artwork by @memory.pig

produced / mixed / mastered by dj planet express
out on no content records 

this is my very first NFT, enjoy

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Daydream

Jay Daniel

Outtake from my next album. Recorded 6/7/21.
Be Fluidic like water

Winner will also receive a virtual studio session, early access to my forthcoming album, & a 22x26 inch print of the cover art.

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Richie Hawtin

Originally recorded and released in 1996, Concept 1’s monthly releases documented a year of sonic experimentation. Each month I would record as much music as possible with a strict and limited selection of technology.  Gone were the typical “Hawtin” combination of TR808, TR909 and TB303’s which had driven the techno tracks I had become known for under my F.U.S.E. and Plastikman aliases, replaced by a striped down selection centered around three Doepfer MAQ 16/3 sequencers and 5 panels of Serge modular racks. This year-long experiment ended up being the beginning of a new minimalistic phase and set the foundation for the Plastikman Consumed album.

This unreleased exploratory groove, "96:11 00:00”, was written on November 19, 1996 and was a testing ground for the shuffled 909 programming that appears on the released Concept 1 "96:11 21:00" track, as well as featuring the feedback textures that appeared on the final Concept 1 release "96:12 24:00”.

As the original Concept 1 release was limited to a specific number of physical releases, I thought that it would be an appropriate continuation of its concept to release this track as an edition of 1 NFT, using it as another exploratory move in this developing eco-system.

Video about Concept 1 https://www.youtube.com/watch?v=9Xn1-AyYcrk

Original Concept 1 release on Audius https://audius.co/rhawtin/album/concept-1-9612-29141

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Concept 1 96:11 00:00

villager

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Shock Value

Scuba

The original version of 'Hang Ten' was released under Scuba's SCB alias in Feb 2022 on Who Whom?, an offshoot of Hotflush Recordings.

'Scuba's On Chain Mix' exists here exclusively, apart from in Scuba's DJ sets.

Artwork is from a series of photographs taken by Scuba on Aitzuri Hondartza in the Basque Country, Spain in 2021.

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Hang Ten (Scuba's On Chain Mix)

Mark Redito

"Barrio Fiesta" was originally released as part of the album "Neutropical" which was self-released on May 2019. The vinyl version was released via Neoncity Records on December 2019.

Barrio Fiesta is a sonic exploration of "Tropical Futurism" inspired by "Afrofuturism," an aesthetic and a philosophy which puts island sounds and culture front and center through imagined futures.

This piece is accompanied by 1 copy of the Neutropical LP (Clear vinyl), Japan/Asia version, shipped free of charge to the first collector.

Credit:
Production and Mixing: Mark Redito
Mastering: Ryan Schwabe
Album Art: Sherlan Abesamis

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Neutropical

Barrio Fiesta

slenderbodies

the fourth and final song off of the unreleased WITA EP. this song was a turning point for us and a genesis point for the other songs on the EP.
it went through many iterations, but ultimately we are so happy to share this song in its purest form with the world :)

~lyrics~

hold on, i need you
i didn’t know til you were gone

and the the sunlight is bleeding
holding me close

baby now hold on
i need you
didn’t know til you were gone

and the moonlight beckons
beckons me closer

but 
what about all of what i think about?

hold on, i need you
i didn’t know til you were gone

and the the sunlight is bleeding
holding me close

and I’m hoping ill find you
with bright eyes and the widest smile

be the one to remind you
you’re living the life

but 
what about all of what i think about?

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what i think about

this track is off of an EP that never was. we wrote it as a follow up to komorebi, to bridge into the next project. however the sonic direction completely changed in favor of what became "are we?" and so been there before and its companion songs are a unique moment of exploration in our sonic history. looking back, this material informed a lot of what we are currently releasing as we move toward "simple shapes". 

this song serves as a reminder that we are not our feelings, and that when things get tough the emotions surrounding whatever situation don't define us.

hope you enjoy :)

lyrics:

i see you
walking edges like your life depended on it
what you trying to be?

take yourself the way you are

when you’re feeling something bad
drop and leave it there
let the colors in
show yourself
cause that’s not who you are
who you are

i’ve been there before

i feel you
falling further and further every day
and i’m trying to be
here to show you that there’s light

when you’re seeing something bad
drop and leave it there
let the colors in
show yourself
cause that’s not who you are
who you are

i’ve been there before

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been there before

MJ Cole

Inspired and encouraged by the warm glow of my Twitch family, this track was born live on stream as an instrumental and took on a life of its own behind closed doors. There is pure joy in creating without expectations or self-imposed boundaries. Music for the sake of music. Liquid Garage…

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Lay it all on the Line

AbJo

As heard at the end of Soulection+ Radio Mix released on sound.xyz, this is yet another track that will end up on the "AbJonian Suite" beat tape. Each collector of this and all the "AbJonian Suite" NFT drops hereafter will have access to the tape as it stands now as well as an advance copy of the finished version before it's officially released!

Also, this is the first beat created for this tape more than 3 years ago, before the pandemic hit, and it's probably my favorite off the tape overall. The orchestra kid inside of me gets giddy hearing this on a top-notch system, so I suggest you do the same when you play this; like its namesake, everything becomes crystal clear once you do...

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Day 17 (Quartz)

Tiga

Hypnotic Mode 1/1 /// The First NFT Audio release from Turbo/Tiga Industries. 
Cat # 0009217
Winning NFT holder also will receive physical 12inch Vinyl of There Is No Distance release. Brace Yourself. 

Analog/Digitally crafted in Montreal/Stockholm/Los Angeles/Cyberspace

artwork/// Cali DeWitt

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THERE IS NO DISTANCE BETWEEN US

Discokid909

She's a sexy mama jama, juggling through the web of spaces between verses. 
A strong, independent woman, and she's not afraid to show it. 
she's at her own pace, got her own place, and never afraid for take a chance, a force to be reckoned with. 
She's a meta juggler, always keeping things in motion. 
A bop to the riddim, a hymn to the rhythm.

Arranged by Discokid909, Matter Mos
Written by Discokid909, Matter Mos
Produced and Mixed by Discokid909
Mastered by Akmal Rizky
Artwork by Ykha Amelz

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Meta Juggler feat. Matter Mos

evan

3d parametric modeling elevator grid system with cybernetic wave feedback loop on a 2d linear road.

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Plane Bass Groove

Upper Reality

This one is my baby.   Handle it with care.  I'm pricing high af because that's what it's worth. Produced by me.  Enjoy itttttt

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I'm Cool

McClenney

SOS is one of the most important songs I've ever released. It was the 1st song I released after changing my stage name from "Chris McClenney" to "McClenney". 

It was the start of a new era of my career as an artist, and the song has become a staple of my catalog and introduced my music to a lot new people. 

lyrics: 
Hey, hey, oh, oh
Hey, hey, oh, oh
Hey, hey, oh, oh
Hey, hey, oh, oh

Verse 1-
Could you take me with you?
With you, Heaven's in view

Pre-Chorus-
I've been waiting here, dying
You've been taking your time, yeah
Save me from this life

Chorus-
(Hey) You've been
(Hey) Making
(Ooh) Me excited
You out here saving my life
(Hey) You've been
(Hey) Making
(Ooh) Me excited
You out here saving my life

Verse 2-
Could you take me with you
My muse, you make me brand new, oh

Pre-Chorus-
Hey, I've been waiting here, dying
You've been taking your time
Save me from this life

Chorus-
(Hey) You've been
(Hey) Making
(Ooh) Me excited
You out here saving my life
(Hey) You've been
(Hey) Making
(Ooh) Me excited
You out here saving my life

owner will get access to:
-SOS Acapella

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I produced this in 2017.  This was while I was in South Africa tapping into myself right after college, powering through the lost and lonely feelings I was combing through.

Although the feelings of being invisible aren't much better, the ability to just go for it anyway has increased.  So you can hear where I was at when I was just begging for that feeling to come and hold me and walk me through the path to success.

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Bring me Back

wave

Devin Morrison

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Dream Lobby Vol. V

Partner Pathways

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Growing Palms

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Dreamrivers

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Golden Shores

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Indigo Valley

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Dream Lobby Vol. IV

Covina Hills

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Aerith's Lane

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Montavlo Winds

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Dream Lobby Vol. III

Diamond Bar

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McGuyver Falls

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Tears

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Dream Lobby Vol. II

Pourquoi Pas

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Dream Lobby Vol. I

Midnite Gospel

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Vybe

Lionmilk

Change is constant in my life.  
I use music as a way to keep mental and spiritual stability in rotation. 
This piece is a reflection of that practice.

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the valley of water

logs of cattle

devonwho

first track of "Amalgama I" ep self-released 7/26/23 on bandcamp only.

this genre should be called "ableton-complex-warp-core"

album art by Low Limit

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Amalgama I

byte bounce

I just keep it moving like forces, 
all white forces 
all white (white) white (white) white (white)

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CHROME

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Dream Lobby Vol. VI

Gullah Way

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Shohoku

pearson

one of my first full productions from 2018 

owner will receive my full catalog of wavs - stems - session files and more

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Your Love

Dua Saleh

"plush" is an unreleased song I wrote as a free verse during a session with the producer Su Na. It was a psychedelic interpretation of the different things I was observing in life at the time. 

I was absorbing all of the emotions that emerged out of digital spaces as the world processed collective trauma. All of us are navigating through liminal spaces, warped reality, and fragmented memories.

Written & Performed by Dua Saleh
Produced by Su Na (Alec Ness)
Mixed & Mastered by Alec Ness
Cover art by Braden Lee

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